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Latest Reviews
The Telling and the Tale
Daniel Green reviews Anna Burns' Milkman.I Didn’t Want to Talk About Literature Before Having Sex
Jason DeYoung reviews Lina Wolff's The Polyglot Lovers (trans. Saskia Vogel).What We Are Not
Mia Spence reviews Olivia Rosenthal's To Leave with the Reindeer (trans. Sophie Lewis).Satire, Opening Onto Sincerity
Daniel Davis Wood reviews Jonathan Gibbs' The Large Door.Debauchery and Delight
Mia Spence reviews Anne Serre's The Governesses (trans. Mark Hutchinson).
Best of the Web
Becky Varley-Winter on Jean Frémon and Annie Ernaux
Earlier this week at the Glasgow Review of Books, Becky Varley-Winter read Jean Frémon's Now, Now, Louison (trans. Cole Swenson) and Annie Ernaux's The Years (trans. Alison L. Strayer) side-by-side, …Katharine Coldiron on Millennial Novelists
Recently, in the Washington Post, Mark Athitakis lamented the absence of a millennial novelist who could claim to be a household name. Today, at Book & Film Globe, Katharine Coldiron …Will Preston on Pola Oloixarac
At Full Stop, Will Preston reviews Dark Constellations, a strange new novel by the Argentinian writer Pola Oloixarac (trans. Roy Kesey), which blurs the lines between different biological forms.Blair Johnson on Ian Maleney
Writing for Full Stop, Blair Johnson attempts to pin down the place and function of silence in Ian Maleney's Minor Monuments.Ange Mlinko on Diane Williams
At the London Review of Books, Ange Mlinko puts her finger on the artistic sophistication of the short stories of Diane Williams.Abhrajyoti Chakraborty on Yuko Tsushima
At the New Yorker, Abhrajyoti Chakraborty argues for recognition of Yuko Tsushima's Territory of Light (trans. Geraldine Harcourt) as an example of indirect autofiction.Nathan Goldman on Sally Rooney
Resonating with Madeleine Schwartz's remarks on the politics of Sally Rooney, Nathan Goldman writes about the politics of Rooney's conservative aesthetics in the Baffler.Madeleine Schwartz on Sally Rooney
With Sally Rooney's Normal People arriving soon in the United States, Madeleine Schwartz in the New York Review of Books takes a close look at Rooney's millennial politics.
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