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A Perfectly Calibrated Instrument

J.S. DeYoung reviews Deb Olin Unferth’s Barn 8.

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Something That Was Almost Nothing About Something That Was Almost Something

J.S. DeYoung reviews Jung Young Moon’s Seven Samurai Swept Away in a River (trans. Yewon Jung).

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An Existential Thriller With Lots of Breast Milk

J.S. DeYoung reviews Helen Phillips’ The Need.

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The Side Dishes, Part 2

J.S. DeYoung reviews Natalia Ginzburg’s Happiness, as Such (trans. Minna Zallman Proctor).

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The Side Dishes, Part 1

J.S. DeYoung reviews Natalia Ginzburg’s The Dry Heart (trans. Frances Frenaye).

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I Didn’t Want to Talk About Literature Before Having Sex

J.S. DeYoung reviews Lina Wolff’s The Polyglot Lovers (trans. Saskia Vogel).

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Stamping Ducks

J.S. DeYoung reviews Sam Savage’s An Orphanage of Dreams.

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An Indecipherable Design

J.S. DeYoung reviews Amparo Dávila’s The Houseguest (trans. Audrey Harris and Matthew Gleeson)

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Of Mingling and Middles

J.S. DeYoung reviews Mathias Énard’s Tell Them of Battles, Kings, and Elephants (trans. Charlotte Mandell).

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Uncomfortable Places

J.S. DeYoung reviews Christine Schutt’s Pure Hollywood.

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