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Latest Reviews
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Daniel Davis Wood reviews Linda Mannheim's This Way to Departures.The Sawn-in-half Lady
Anna MacDonald reviews Christina Hesselholdt's Vivian (trans. Paul Russell Garrett).Entering Cross River
Daniel Green reviews Rion Amilcar Scott's The World Doesn't Require You.Involutions, Revolutions
Daniel Davis Wood reviews Denise Riley's Time Lived, Without Its Flow.Follow the Lines
Daniel Davis Wood reviews Kathleen Jamie's Surfacing.
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Houman Barekat on Jonathan Gibbs
At Full Stop, Houman Barekat reads Jonathan Gibbs' The Large Door as a knowing throwback to a kind of novel swept away by postmodernism.Nathan Goldman on Ben Lerner
Writing in The Baffler, Nathan Goldman admires the ambition but questions the achievements of Ben Lerner's forthcoming novel, The Topeka School...Robert Minto on Benjamin Moser and Susan Sontag
One of the most thoroughly considered responses to Benjamin Moser's biography of Susan Sontag comes from Robert Minto in a new essay at the Los Angeles Review of Books.Seth L. Riley on László Krasznahorkai
At The Millions, Seth L. Riley considers the stylistic aims of László Krasznahorkai's Baron Wenckheim's Homecoming (trans. Ottilie Mulzet), the final volume in the author's quartet of dark visions of …Andrew Hungate on Lydia Davis
Upon the publication of Lydia Davis' first collection of essays, the aptly titled Essays: One, Andrew Hungate finds something lacking in the book, in a review at 3:AM Magazine.Leslie Jamison on Benjamin Moser and Susan Sontag
Breaking radically with the judgment of Merve Emre in The Atlantic, Leslie Jamison appears in the latest issue of The New Republic with a rave review of Benjamin Moser's official …Eloise Hendy on Family Trauma
Annie Ernaux, Ocean Vuong, and Vigdis Hjorth are the three writers grouped together by Eloise Hendy, in a new essay at Frieze that identifies intergenerational trauma within families as the …Merve Emre on Benjamin Moser and Susan Sontag
In The Atlantic, Merve Emre takes issue with Benjamin Moser's new official biography of Susan Sontag, and particularly Moser's distinction between Sontag's private and public selves.
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