- Daniel Green reviews Anna Burns' Milkman.
- Jason DeYoung reviews Lina Wolff's The Polyglot Lovers (trans. Saskia Vogel).
- Mia Spence reviews Olivia Rosenthal's To Leave with the Reindeer (trans. Sophie Lewis).
- Daniel Davis Wood reviews Jonathan Gibbs' The Large Door.
- Mia Spence reviews Anne Serre's The Governesses (trans. Mark Hutchinson).
Best of the Web
- Earlier this week at the Glasgow Review of Books, Becky Varley-Winter read Jean Frémon's Now, Now, Louison (trans. Cole Swenson) and Annie Ernaux's The Years (trans. Alison L. Strayer) side-by-side, …
- Recently, in the Washington Post, Mark Athitakis lamented the absence of a millennial novelist who could claim to be a household name. Today, at Book & Film Globe, Katharine Coldiron …
- At Full Stop, Will Preston reviews Dark Constellations, a strange new novel by the Argentinian writer Pola Oloixarac (trans. Roy Kesey), which blurs the lines between different biological forms.
- Writing for Full Stop, Blair Johnson attempts to pin down the place and function of silence in Ian Maleney's Minor Monuments.
- At the London Review of Books, Ange Mlinko puts her finger on the artistic sophistication of the short stories of Diane Williams.
- At the New Yorker, Abhrajyoti Chakraborty argues for recognition of Yuko Tsushima's Territory of Light (trans. Geraldine Harcourt) as an example of indirect autofiction.
- Resonating with Madeleine Schwartz's remarks on the politics of Sally Rooney, Nathan Goldman writes about the politics of Rooney's conservative aesthetics in the Baffler.
- With Sally Rooney's Normal People arriving soon in the United States, Madeleine Schwartz in the New York Review of Books takes a close look at Rooney's millennial politics.