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Latest Reviews

  • The Telling and the Tale

    Daniel Green reviews Anna Burns' Milkman.

  • I Didn’t Want to Talk About Literature Before Having Sex

    Jason DeYoung reviews Lina Wolff's The Polyglot Lovers (trans. Saskia Vogel).

  • What We Are Not

    Mia Spence reviews Olivia Rosenthal's To Leave with the Reindeer (trans. Sophie Lewis).

  • Satire, Opening Onto Sincerity

    Daniel Davis Wood reviews Jonathan Gibbs' The Large Door.

  • Debauchery and Delight

    Mia Spence reviews Anne Serre's The Governesses (trans. Mark Hutchinson).

Best of the Web

  • Becky Varley-Winter on Jean Frémon and Annie Ernaux

    April 19, 2019
    Earlier this week at the Glasgow Review of Books, Becky Varley-Winter read Jean Frémon's Now, Now, Louison (trans. Cole Swenson) and Annie Ernaux's The Years (trans. Alison L. Strayer) side-by-side, …

  • Katharine Coldiron on Millennial Novelists

    April 16, 2019
    Recently, in the Washington Post, Mark Athitakis lamented the absence of a millennial novelist who could claim to be a household name. Today, at Book & Film Globe, Katharine Coldiron …

  • Will Preston on Pola Oloixarac

    April 16, 2019
    At Full Stop, Will Preston reviews Dark Constellations, a strange new novel by the Argentinian writer Pola Oloixarac (trans. Roy Kesey), which blurs the lines between different biological forms.

  • Blair Johnson on Ian Maleney

    April 11, 2019
    Writing for Full Stop, Blair Johnson attempts to pin down the place and function of silence in Ian Maleney's Minor Monuments.

  • Ange Mlinko on Diane Williams

    April 10, 2019
    At the London Review of Books, Ange Mlinko puts her finger on the artistic sophistication of the short stories of Diane Williams.

  • Abhrajyoti Chakraborty on Yuko Tsushima

    April 9, 2019
    At the New Yorker, Abhrajyoti Chakraborty argues for recognition of Yuko Tsushima's Territory of Light (trans. Geraldine Harcourt) as an example of indirect autofiction.

  • Nathan Goldman on Sally Rooney

    April 5, 2019
    Resonating with Madeleine Schwartz's remarks on the politics of Sally Rooney, Nathan Goldman writes about the politics of Rooney's conservative aesthetics in the Baffler.

  • Madeleine Schwartz on Sally Rooney

    April 4, 2019
    With Sally Rooney's Normal People arriving soon in the United States, Madeleine Schwartz in the New York Review of Books takes a close look at Rooney's millennial politics.

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