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David Vichnar on Grant Maierhofer

With Grant Maierhofer’s several books now appearing in a single collected volume entitled Works, David Vichnar has gone searching for a connective thread, only to find that “thread” is the wrong metaphor:

Works is a hybrid ensemble whose entirety exceeds any single perceptive process, an ever-shifting entity larger than any one reader’s (the present one included) consciousness can keep hold of. A bird’s-eye view of its entirety enables one to see its multiple genres reduced to their elemental forms; the whole assembled as a prismatic constellation of competing, mutually reflective discourses and discursive gestures. In Bataille’s conception of assemblage just as Maierhofer’s, the interplay of genres and forms becomes the interface of discourses and types of knowledge, wherein each type of writing brings with it a range of stylistic tropes and possibilities, as well as referential and epistemological assumptions and limitations. What can be said somehow in one form must appear otherwise in another, provided it can be said at all.