- Daniel Davis Wood reviews Linda Mannheim's This Way to Departures.
- Anna MacDonald reviews Christina Hesselholdt's Vivian (trans. Paul Russell Garrett).
- Daniel Green reviews Rion Amilcar Scott's The World Doesn't Require You.
- Daniel Davis Wood reviews Denise Riley's Time Lived, Without Its Flow.
- Daniel Davis Wood reviews Kathleen Jamie's Surfacing.
Best of the Web
- At Full Stop, Houman Barekat reads Jonathan Gibbs' The Large Door as a knowing throwback to a kind of novel swept away by postmodernism.
- Writing in The Baffler, Nathan Goldman admires the ambition but questions the achievements of Ben Lerner's forthcoming novel, The Topeka School...
- One of the most thoroughly considered responses to Benjamin Moser's biography of Susan Sontag comes from Robert Minto in a new essay at the Los Angeles Review of Books.
- At The Millions, Seth L. Riley considers the stylistic aims of László Krasznahorkai's Baron Wenckheim's Homecoming (trans. Ottilie Mulzet), the final volume in the author's quartet of dark visions of …
- Upon the publication of Lydia Davis' first collection of essays, the aptly titled Essays: One, Andrew Hungate finds something lacking in the book, in a review at 3:AM Magazine.
- Breaking radically with the judgment of Merve Emre in The Atlantic, Leslie Jamison appears in the latest issue of The New Republic with a rave review of Benjamin Moser's official …
- Annie Ernaux, Ocean Vuong, and Vigdis Hjorth are the three writers grouped together by Eloise Hendy, in a new essay at Frieze that identifies intergenerational trauma within families as the …
- In The Atlantic, Merve Emre takes issue with Benjamin Moser's new official biography of Susan Sontag, and particularly Moser's distinction between Sontag's private and public selves.