This little anticipatory poem has its way with time: it describes what Merwin imagines will have happened on March 15, 2019, but it is dedicated to, and reserved for, every March 15th thereafter. It’s a script for a commemorative ceremony, a eulogy banked years before its occasion. It also feels like a prank that Merwin played on us, the most chilling and ingenious trick that an American poet has played on his survivors since Walt Whitman challenged the rest of us to look for him, whenever we missed him, under our boot soles.
- Andrew Key reviews Moyra Davey's Index Cards.
- MacKenzie Warren reviews Jessica Sequeira's A Luminous History of the Palm.
- Daniel Davis Wood reviews Lucy Ellmann's Ducks, Newburyport.
- Daniel Green reviews Jack Cox's Dodge Rose.
- Liam Bishop reviews Zigmunds Skujiņš' Flesh-Coloured Dominoes (trans. Kaija Straumanis).
Best of the Web
- To mark the publication of The Complete Gary Lutz, a monumental collection of stories by a renowned minimalist, Germán Sierra takes the pulse of Lutz's aesthetic project in a new …
- In a review of three new academic texts at the Sydney Review of Books, Michael Bérubé sketches out a guide to reading literature through the lens of "autism aesthetics".
- In a review of Zadie Smith's new story collection, Grand Union, for 3AM Magazine, Andrew Hungate finds himself struggling to isolate the virtues of the book.
- At Berfrois, Ed Simon assesses the recent public responses to the death of Harold Bloom and ends up taking aim at everyone, sparing neither Bloom's admirers nor his detractors.
- In a long, searching essay at the New York Review of Books, Zadie Smith makes the case against "cultural appropriation" by interrogating the language in which it is discussed.
- At the Los Angeles Review of Books, Natasha Boyd praises Ben Lerner's The Topeka School for its mastery of language and its mastery of the flow of time.
- At Full Stop, Houman Barekat reads Jonathan Gibbs' The Large Door as a knowing throwback to a kind of novel swept away by postmodernism.
- Writing in The Baffler, Nathan Goldman admires the ambition but questions the achievements of Ben Lerner's forthcoming novel, The Topeka School...