This little anticipatory poem has its way with time: it describes what Merwin imagines will have happened on March 15, 2019, but it is dedicated to, and reserved for, every March 15th thereafter. It’s a script for a commemorative ceremony, a eulogy banked years before its occasion. It also feels like a prank that Merwin played on us, the most chilling and ingenious trick that an American poet has played on his survivors since Walt Whitman challenged the rest of us to look for him, whenever we missed him, under our boot soles.
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- Daniel Davis Wood reviews Jaimie Batchan's Siphonophore.
- Daniel Davis Wood reviews Trauma, edited by Sam Mills and Thom Cuell.
- Daniel Green reviews Hugh Fulham-McQuillan's Notes on Jackson and His Dead.
- Katie da Cunha Lewin reviews Rebecca Tamás’ Strangers.