- Liam Bishop reviews Zigmunds Skujiņš' Flesh-Coloured Dominoes (trans. Kaija Straumanis).
- Katie da Cunha Lewin reviews Gina Apostol's Insurrecto.
- Daniel Green reviews Nicolette Polek's Imaginary Museums.
- Daniel Davis Wood reviews Fernanda Melchor's Hurricane Season (trans. Sophie Hughes).
- MacKenzie Warren reviews Alice Lyons' Oona.
Best of the Web
- To mark the publication of The Complete Gary Lutz, a monumental collection of stories by a renowned minimalist, Germán Sierra takes the pulse of Lutz's aesthetic project in a new …
- In a review of three new academic texts at the Sydney Review of Books, Michael Bérubé sketches out a guide to reading literature through the lens of "autism aesthetics".
- In a review of Zadie Smith's new story collection, Grand Union, for 3AM Magazine, Andrew Hungate finds himself struggling to isolate the virtues of the book.
- At Berfrois, Ed Simon assesses the recent public responses to the death of Harold Bloom and ends up taking aim at everyone, sparing neither Bloom's admirers nor his detractors.
- In a long, searching essay at the New York Review of Books, Zadie Smith makes the case against "cultural appropriation" by interrogating the language in which it is discussed.
- At the Los Angeles Review of Books, Natasha Boyd praises Ben Lerner's The Topeka School for its mastery of language and its mastery of the flow of time.
- At Full Stop, Houman Barekat reads Jonathan Gibbs' The Large Door as a knowing throwback to a kind of novel swept away by postmodernism.
- Writing in The Baffler, Nathan Goldman admires the ambition but questions the achievements of Ben Lerner's forthcoming novel, The Topeka School...